Winning Tips by Earl Ball. Article 12 of the Series.

Just as I sat down to write this article I took a look at the web site and darn if Wilbur didn’t write an article on the same subject. We are different, but agree you have to have a plan.  I want to make it clear that I have the greatest respect for Wilbur and his work; I’ve read his book and every other book on Shuffleboard that I can get my hands on.  He is theoretically correct about what he says; I’m just not capable of playing as well as you would have to in order to make his system work.  For instance, if you have 19 points and a seven on the board, which won’t get you to the next module, and I have 35 points and need an 8 to get to the next module, I’m not going to shoot an 8, I’m going to take your 7 off the board; in fact, I’m coming for you and I’m going to take 10 more off your score!

I start practice by sliding a disc with the non-shooting end of the cue back and forth across the shooting box, both my side and the opponent’s side, players are surprised to find out they can feel if a corner is turned up or down or theirs a hump in the shooting area. These little differences give you a hint as to what might happen when you shoot.  Remember all the drift is not down the board, some of it’s right where your cue starts out.  If the corner is turned up it’ll push your cue and the disc across the board and if it’s turned down it’ll pull your cue toward the edge of the board.  That’s part of the reason I don’t shoot my hammer out of the corner because almost all boards have added drift, in or out, from the corner.  I also feel that the speed changes from the corner.  On beads you are going from fast on the outside to slower as you cross the center of the board and back to fast on the far side of the board and on rough courts you’re going from slow on the outside to faster in the center back to slower as you get to the other side of the board.  It’s just too hard for me to get the speed.  Almost everyone feels they need to use their speed shots to get the 8 speed up the center of the board but it doesn’t seem to me that you are getting enough information by doing that.  I feel you need to shoot all of your practice shots at kitchen speed so you can see the drift all the way down the playing surface.  You need to get certain information out of practice.  What happens on your side of the board, it’s important to gain control of your own side.  Can you cross the centerline and hide if the opponent puts up a sloppy Tampa.  What happens in the 10 area?  Earl Town, an outstanding non-traveling pro, once told me that sometimes in a match, a 10 is going to play a critical part, be it taking the opponent off and holding a 10 or getting the opponents partially hidden 10 off the board and I’ve found him to be right.  Very rarely should you shoot the same shot twice in a practice round? If something goes wrong you know what it was and can correct for it when the time comes.  Remember, your opponent is watching and whatever practice shot you don’t take will be used against you.  You’re going to see that 8 you didn’t try or that deep 7.  Some outstanding players, “Jac” Bergeron and Joan Cook practice a Tampa hide so the opponent won’t get a free block on a sloppy hide.  Some players continue to practice the first few rounds of the game, getting a feel for the board, if you clear they will know the board and you won’t when the time becomes critical. 

Earl Ball 2006 07 26.

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2 Responses to Winning Tips by Earl Ball. Article 12 of the Series.

  1. debsturat says:

    Thank you!!!


  2. Joan McCurdy says:

    Thank you from me too.


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